This is a collection of photographs of locations in the South Wales landscape that have distinctive, historic Cymraeg names that survive on contemporary maps. The names can be surreal, comical or poetic, refer to past events, or are descriptive of the locations. By now, it is impossible to know when and by whom these places were given their names. Many probably refer to historic events that took place centuries ago. Others, because the land was formerly common ground, may have been named by cattle drovers or hill farmers who used the land for sheep grazing and still others through habitual use in the nearest local community.
The great majority of these places appear, by now, to be ‘empty’, ‘anonymous’ and ‘inconsequential’. If you were to walk through these places you would not think they were worth naming. In a real sense, the fact of their naming is the only remaining trace of earlier human intervention. Some are noteworthy because of only faint traces of human activity. Others, regardless of, or despite being named, have recently been transformed (by commercial forestry or the construction of a wind farm, for instance); their former identity effaced, but their names surviving on current maps, nonetheless.
Together, the names are the remains of a rich, but hidden, social, cultural and political history. The aim of the images and texts is to restore meaning to these obsolete places and to invite the viewer, often playfully and I hope, accessibly, to reconsider and expand their idea of where our national history “resides”. In addition, amongst the history, the descriptions and the speculation, there are (sometimes humorous) reflections on my conceptual and emotional journey during the making of the series.
As for the images themselves, my aim is to encourage the viewer to engage actively with each picture as a ‘documentary record’ of an activity that has to be imagined, rather than passively contemplating the images as ‘sublime’, timeless vistas. In this sense, I hope it acknowledges that every landscape is a human landscape and that each view represented will always be a signifier, not simply of ‘nature’, ‘terrain’ and so on, but also of memory, absence, history - and the imaginary.